{"id":435,"date":"2026-03-05T20:47:44","date_gmt":"2026-03-05T10:47:44","guid":{"rendered":"https:\/\/www.ambientden.com\/?p=435"},"modified":"2026-03-05T20:53:01","modified_gmt":"2026-03-05T10:53:01","slug":"2025-08-28-progarchives-alainpp-review","status":"publish","type":"post","link":"https:\/\/www.ambientden.com\/?p=435","title":{"rendered":"2025-08-28 &#8211; Prog Archives (AlainPP Review)"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.progarchives.com\/review.asp?id=3212963\">https:\/\/www.progarchives.com\/review.asp?id=3212963<\/a><\/p>\n\n\n\n<p>**** Ben Craven distils symphonic prog rock, citing Focus, Caravan, Nektar, Can, Yes, Genesis, and Pink Floyd as references. Epic prog, a cinematic concept album.<\/p>\n\n\n\n<p>&#8220;Future History Part 1&#8221; as an intro takes off cinematically, a gentle start, a stratospheric guitar solo on an ethereal kit. &#8220;For All Mankind&#8221; begins weightlessly, Ben&#8217;s vibrant guitar and velvety synths inviting us to dream of dreamlike landscapes. Melodic synth prog with hints of UPF or even The SAMURAI of PROG. A symphonic, ethereal atmosphere, reminiscent of PINK FLOYD from both periods, if they had continued. The dynamic 7\/8 sound, metaphorical lyrics about the current world, to hope for a better one. The catchy chorus is a further space rock anthem. &#8220;Provenance&#8221; bursts forth with Ben fiddling with his guitar for the spacey instrumental with a bluesy undertone; The metronomic air, as if coming from an autopilot, brings the track to the musical exosphere from which each silent note emanates only beauty, like Bennetts&#8217; crystalline piano guided by the drums. &#8220;Earthrise&#8221; continues, a rhythm typical of 80s-90s FLOYD; soft vocals, a haughty air with the acoustic guitar clinging for a moment to the reverberating air. The track takes off as a slide solo, notes spurting from all sides, overpowering the prog-like artist in need of something new. An acoustic outro closes this anthology of musical flight.<\/p>\n\n\n\n<p>&#8220;Terraforming&#8221; is the final project, with Ben manhandling his instrument, looking towards the great GILMOUR. The piano and then the acoustic slide in for a duet with warm choruses, Povey&#8217;s kit controlling before letting the GENESIS-style organ swell and explode into a constellation of neutron-note stars. A break on &#8220;Meddle,&#8221; rising, furious, groovy, electric, and apocalyptic, with the return of Ben. The jam is tamed, the song settles midway, setting off on a winding path, an Olympian celestial path, a wormhole to reach the zenith, the musical firmament. The solemn outro completes the emotion. &#8220;Future History Part 2&#8221; stands out with the contribution of the sax, injecting a danceable air, the whispered funky vocals reinforcing the atmosphere in this sense. The second instrumental part is a controlled and contained jam.<\/p>\n\n\n\n<p>As a bonus, 4 of the 6 tracks are available in single edit form to get to the heart of the matter, but no, you have to immerse yourself in the longer tracks. Originally released on Progcensor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.progarchives.com\/review.asp?id=3212963 **** Ben Craven distils symphonic prog rock, citing Focus, Caravan, Nektar, Can, Yes, Genesis, and Pink Floyd as references. Epic prog, a cinematic concept album. &#8220;Future History Part 1&#8221; as an intro takes off cinematically, a gentle start, a stratospheric guitar solo on an ethereal kit. &#8220;For All Mankind&#8221; begins weightlessly, Ben&#8217;s vibrant guitar&hellip;&nbsp;<a href=\"https:\/\/www.ambientden.com\/?p=435\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">2025-08-28 &#8211; Prog Archives (AlainPP Review)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":436,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press"],"_links":{"self":[{"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/posts\/435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=435"}],"version-history":[{"count":2,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/posts\/435\/revisions"}],"predecessor-version":[{"id":438,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/posts\/435\/revisions\/438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=\/wp\/v2\/media\/436"}],"wp:attachment":[{"href":"https:\/\/www.ambientden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ambientden.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}